Billboard involved with Tracy Maurice
Billboard involved with Tracy Maurice, the new York (then Montreal)-based musician and performer, designer, and filmmaker at the rear of the hand and quill of which famously adorn the LP art of Arcade Fire’s debut. She proceeded to provide artwork with the band’s following album in addition, but it all initiated with some wood pictures in 2004, pictured preceding.
“There was a really unique mix of designers and musicians living in Montreal the moment, so we all approximately hung around together, ” Maurice tells Billboard via e-mail. In this social circle, she achieved Arcade Fire’s Win Butler by a mutual friend, who informed her he was seeking someone to provide recording artwork for his band’s forth-coming debut. Butler and co-bandleader/wife Régine Chassagne preferred the drawings she’d been implementing, and picked her with the job.
Along with a handful of then-unreleased Arcade Fire monitors, the band shared “a few reference images and several old birth and death certificates” to communicate their prevailing themes: childhood, passing, and reflection of earlier times and future. Both Butler and Chassagne had lost grandparents through recording process, so Maurice have been trusted with a project that originated from a deeply personal living space. Even so, the artist's private articles -- photographs, musicsheets, prayer handmade cards, valentines, and illustrated books through the early 1900s -- healthy the theme and inspired the next product, which she painted onto the pieces of the wooden planter.
“I wrapped the fire wood pieces all up inside the towel to protect them and rode my bike onto their place to suggest to them, ” she remembers. Then we were required to try to scan it so we could give it to Merge but the pieces of wood were too large to have the art sit flat within the scanner. We had to saw them because of make it fit. It was before ridiculous, but it did wonders. ”
Just after Funeral’s launch, Maurice accompanied the band on the 20-city North American van-powered visit as stage and lighting effects director. "I remember blowing up drawings that i did at Kinkos, painting them inside hotel room, mounting them to foam core and then hoisting them up behind the stage overnight, ” she says. “It has been pretty low tech, but had a particular sensibility that we had been all into. ”
Inside months (and years) that followed, Funeral became a improbable success. First came the critical praise, then David Bowie was collaborating with them, then U2 was covering up "Wake Up" live. They certainly wouldn't be touring from a van again. A far greater audience was focusing for album number a pair of, and Arcade Fire yet again turned to Maurice. This artist served as inspiring director for 2007’s Neon Bible, designing the artwork for that album, 7-inch singles, and wound up winning the year’s Juno Honour for Best CD Paintings Design, thanks to the actual deluxe edition’s lenticular covers and two flip courses.
“That was my favorite project to be effective on with them, ” Maurice remembers. “I got to style and design a 7' neon sign that marilyn and i thought the band would be able to bring on tour and hang to be a backdrop at live displays, but it turned out ıt had been too fragile to transport. I also got to help shoot this album graphics on 16mm film, that is a real treat. It had been really an exciting method, we scanned single frames through the negatives. I also directed/art led the 'Black Mirror' video (co-directed by Olivier Grouxl) in addition to some web/live show articles. ”.
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